| Editorial Review:
Batman Returns is a 1992 American
superhero film directed by Tim Burton. Based on the DC Comics
character Batman, it is the sequel to Burton's Batman (1989),
and features Michael Keaton reprising the title role, with Danny
DeVito as the Penguin and Michelle Pfeiffer as Catwoman.
Burton originally did not want to direct a sequel because of his
mixed emotions toward the previous film. Daniel Waters delivered
a script that satisfied Burton; Wesley Strick did an uncredited
rewrite, deleting the character of Robin and rewriting the
climax. Filming started in Burbank, California in June 1991.
Batman Returns was released to financial and critical success,
though it caused some controversy for being darker than its
predecessor.
Product Description: Gotham City
faces two monstrous criminal menaces: the bizarre, sinister
Penguin (Danny DeVito) and the slinky, mysterious Catwoman
(Michelle Pfeiffer). Can Batman (Michael Keaton) battle two
formidable foes at once? Especially when one wants to be mayor
and the other is romantically attracted to Bruce Wayne? Like
the groundbreaking 1989 original, Batman Returns is directed
by the wizardly Tim Burton. And like the first blockbuster,
it’s a dazzling adventure that leaves you breathless. Special
Features: • Commentary by Director Tim Burton • The Bat, the
Cat and the Penguin Making-of Featurette • Shadows of the Bat:
The Cinematic Saga of the Dark Knight Part 4: Dark Side of the
Knight • Beyond Batman Documentary Gallery – 6 Featurettes: •
Gotham City Revisited: The Production Design of Batman Returns
• Sleek, Sexy and Sinister: The Costumes of Batman Returns •
Making up the Penguin • Assembling the Arctic Army • Bats,
Mattes and Dark Nights: The Visual Effects of Batman • Inside
the Elfman Studio: The Music of Batman Returns • Souixsie and
the Banshees Face to Face Music Video • The Heroes and The
Villains Profile Galleries • Theatrical Trailer
Amazon.com essential video: With
1989's Batman, Tim Burton's bold visual style, the late
Anton Furst's stunning production design, and the dark dance
between doppelgangers suggested by Michael Keaton's tortured
Batman and Jack Nicholson's demonic Joker rejuvenated the
caped crusader's franchise while setting a dauntingly high bar
for any sequel. It's not surprising, then, that 1992's
Batman Returns couldn't match the sheer impact of its
predecessor, yet the subsequent passing of the baton to Joel
Schumacher, and the title hero's retreat to a more
conventional persona, make the second Burton Batman worth
another look. Perhaps reasoning that the appeal of two dueling
schizoids might be upped by adding a third, Batman
Returns pits millionaire Bruce Wayne and his alter ego
against two equally split personalities, Catwoman (Michelle
Pfeiffer) and the Penguin (Danny DeVito). If the equation
yields less than the desired sum, it still gives Pfeiffer and
DeVito room for oversized, properly gothic performances, and
the very feline Pfeiffer, in particular, has a field day.
DeVito's cackling, mutant orphan is nearly as riveting, and
the story might have fared better if the scriptwriting
committee hadn't tossed in a third villain, Christopher
Walken's rapacious industrialist, Max Schreck (coyly named for
the actor who played the earliest screen vampire, Count
Orlock, in F. W. Murnau's German expressionist classic,
Nosferatu), thereby pushing the plot toward rococo
excess. Bo Welch's production design sustains the brooding mix
of deco and gothic established by Furst, and Danny Elfman's
dark, stirring score helps pick up some of the slack. --Sam
Sutherland
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